MarsDragoner
What I like most about this release is how natural and organic the transitions feel, even the tempo changes in the metal parts. It's really easy to just let your spirit roam free and float in a sea of stars. The ambient parts are integrated beautifully into the riffs and there is a back and forth of the two which makes it an interesting and engrossing experience.
parappapar
I'm the kind of person who can't really see anything when I close my eyes; listening to this band is the closest I can get to that sort of thing. many people picture things while listening to music, but I find that trha's music goes beyond that, and affects me in a way I can physically feel.
Favorite track: nêbamΩejn.
Ron Hogan
I love how this starts out like some kind of off-kilter giallo soundtrack, and then goes off down an amazing Trhä path and then becomes practically angelic in the back half before returning to that off-kilter vibe.
Thrä delivers a track that is nothing short of phenomenal - from 7:40, it even turns into a rare emotional wonder. Those 13 minutes are an essential listen of one of today's most personal forms of "progressive" black metal - a maelstrom of unheard colors swirling crazily.
Seht is drowned into a compact lo-fi cloud of sound from which occasionally emerge a few cristalline sparks. A little ambient beauty for amateurs of sonic blur and some great moments that will require a good listening quality. Seb
Le split Misotheismus/Trhä est intéressant car il "casse" une règle tacite de Trhä qui consiste à toujours utiliser un langage inventé ou au moins inintelligible. Misotheismus la respecte, à l'exception du sample qui ouvre "Untitled XIV" qui laisse penser qu'on est dans un règlement de comptes voire une scène de torture. Il n'est pas interdit de penser que ce thème traverse tout le split, ce qui explique pourquoi le black metal des deux artistes est aussi violent ; même Trhä se passe du synthé ! Jordan Vauvert