grahamy
As far as Trhä goes, I tend to prefer the more feral and violent stuff. This is that, and it rules, but with a lot more emotional depth than you'd find in most raw black metal. Impressive stuff
nochembaja
I got into black metal this year and I'm so glad I found out about this band (shoutout to Myke C-Town.) This is easily one of my favorite shorter projects, it's menacing yet melodic at the same time. Keep it up!
Favorite track: Namía.
Jordan Vauvert
Si lhum'ad'sejja, im ëmat gan líeshtam namvajno et Rhejde qhaominvac tla aglhaonamëc ont pu former (je crois) une trilogie, Alëce iΩic et nêbamducel cánsë ulan da gunej se repoussent comme deux aimants répulsifs, ce dernier étant une chute dans les ténèbres. Le black metal atmosphérique de Trhä est en apparence un tourbillon de feu mais les riffs suivent la même trajectoire : toujours plus bas. Le chant est varié mais la réverbération ne fait que souligner une solitude insupportable.
Favorite track: Namía.
MarsDragoner
A piercing, desolate and bleak experience. For Trhä standards, this is a rather dark and sinister effort. The vocals especially are relentless with a dynamic interplay of shouts, shrieks and growls. This is a really twisted and interesting album which keeps surprising the listener with compelling and creative songwriting alongside a tight performance, presented in a most menacing and baleful way.
Favorite track: Evlën.
supported by 138 fans who also own “nêbamducel cánsë ulan da gunej”
Thrä delivers a track that is nothing short of phenomenal - from 7:40, it even turns into a rare emotional wonder. Those 13 minutes are an essential listen of one of today's most personal forms of "progressive" black metal - a maelstrom of unheard colors swirling crazily.
Seht is drowned into a compact lo-fi cloud of sound from which occasionally emerge a few cristalline sparks. A little ambient beauty for amateurs of sonic blur and some great moments that will require a good listening quality. Seb
supported by 99 fans who also own “nêbamducel cánsë ulan da gunej”
Le split Misotheismus/Trhä est intéressant car il "casse" une règle tacite de Trhä qui consiste à toujours utiliser un langage inventé ou au moins inintelligible. Misotheismus la respecte, à l'exception du sample qui ouvre "Untitled XIV" qui laisse penser qu'on est dans un règlement de comptes voire une scène de torture. Il n'est pas interdit de penser que ce thème traverse tout le split, ce qui explique pourquoi le black metal des deux artistes est aussi violent ; même Trhä se passe du synthé ! Jordan Vauvert